[ BEGINNING of WORSHIP – First Beheld the Blue – ]
昨年出雲での滞在制作が実現し出雲大社へ作品を奉納する際、私がこれまでアートとして表現して来た行為すべてが「礼拝」だったことに気づく。
そして、“Overlap”、“Water pollution” 等の粒子の集積シリーズを制作する際、強烈に惹かれた『青』。その訳が、幼少期の記憶にあったことを思い出す。
空との対話により、自身を小さな粒子へと分解し、酸素や水の粒子と溶け込ませる遊びをしていた時、初めての「色」と出会う。自分や空、取り囲む全てを包含する「青色」を手に入れる。本展示では、この「礼拝のはじまり」を懐古し、青の精神世界を表現する。
【 開催概要 】
「BEGINNING of WORSHIP – First Beheld the Blue –」
伊藤 咲穂
Development : SHi-ZEN Project/Tripod Design Inc.
-The Japanese ethnicity is imbued with a sensitivity that loves delicate tones of color. This prototype/ awai(淡) is a prototype that crosses such a sense with a base of Japanese paper laid with dots and imagines the decomposition and recomposition of life.
The compost and the soil (Ibaraki) are blended to create a ambiguous color gradation but different world of color.
[The possibility of paints born from compost and soil of food residues]
What if the food we leave behind could become paints and paints, and generate electricity?
We were asked to create a work of art for a Japanese company that is working on such an interesting project.
The other day, it was exhibited at the eve of the SB International Conference 2023 held in Yurakucho.
The commission to create a piece with soil, water, and Japanese paper that shows where it was collected and how it became a material was like going back to playing in the mud when I was a child.
Organizer: SB-Tokyo.com
Sustainable Brands Japan
Greeting
Thank you for coming today to the Domain of Art 28, Sakuho Ito Solo Exhibition, “ORIGIN” at Plaza North, Saitama City. ( 2022.02~03 )
Ito Sakuho, based on the sense of tranquility derived from her childhood experiences in the natural environment, has presented two-dimensional and three-dimensional works as well as installation art using Sabi Washi (a type of Japanese paper made using Ito’s unique methods), paint, natural mineral pigments and Japanese ink at exhibitions held both in Japan and abroad.
Artwork and images created by Ito are oftentimes greatly influenced by materials of the land and the cultural climate.
In contemporary times when society calls for sustainability, these works represents beauty in “circulation”, “the process of rusting”, “decay” and “aging”; highlights emotions derived from ethnic traits; and questions coexistence between nature and humans.
In 2017, she studied under a craftsman to learn the technique for making Sekishu Washi, registered as a UNESCO intangible cultural heritage, and learned how to grow Kozo (paper mulberry), the raw material for making Washi. Ito, researching Washi from her undergraduate years, developed the Sabi Washi made using her unique methods.
This is often used as the primary material in Ito’s creations.
Sabi Washi is made by mixing metallic minerals with the raw materials Kozo and Mitsumata when handcrafting paper, resulting in paper with rust developing from natural oxidation being combined with fiber of Washi paper. While we may perceive the rusting process as a transition from the new to old, Ito perceives and expresses this process as the “cultivation of rust” and “a state where material has become stable”.
Ito values her connection with the raw materials used. Iron sand, an essential material for creating Sabi Washi was collected herself by the river and sea of her homeland in Shimane Prefecture, and Kozo grown in the Iwami region was used.
This exhibition presents Ito’s new works based on the theme of “tranquility”, the origin of Ito’s creations, and includes works expressing the connection and confrontation with nature through large installation arts, major two-dimensional pieces being premiered and three-dimensional pieces of a rock found at a dry riverbed near Ito’s Atelier in Yamanashi modelled using Washi paper.
Sakuho Ito has continuously challenged herself to find the value of Washi again in contemporary art as a material with its manufacturing methods being passed down from craftsman to craftsman over a period of more than 1,300 years up to the present.
Artwork which convey the passing of time, evolution, expressing the mystical tranquility of nature will prompt the viewer to think about living in harmony with nature.
This is also deeply linked with the traits of oriental spirituality and mystique found in “zen” which recently, has also seen praise overseas.
Please enjoy conversing with the artwork created.
– ORIGIN –
I believe my early childhood was supported by the loneliness of my own existence.
While spending time in nature enveloped in loneliness, sleeping in the woods and gazing up at the stars standing on the asphalt road in complete darkness, it dawned upon me as a child, that in the stillness of my surroundings, the vastness of nature, its system, the gentle connection between matters; these were the “truth of the world”.
This might have been the primitive understandings of a child, a wild dream. However, unbeknownst to myself, this sensation has probably saved me in the past, present and will continue to do so in the future.
In a country with four seasons, the trees blush with autumnal colors and soon wither away, its leaves falling to the soil below in countless layers. “Why, after all these years after my birth, does the ground not rise with fallen leaves?”
My action to find the answer to this question was simple. Whenever I had some free time, I would go to the forest, lie sprawled on the ground and enjoy observing the top soil.
Ants slowly carried away a swallowtail butterfly that died yesterday or the day before in small pieces.
Small insects less than a millimeter wriggled between the leaves and soil.
A sweet, pleasant aroma drifted above the forest floor at the end of autumn.
When I realized that the fallen leaves are taken apart by microorganisms and insects and gradually broken down returning to soil, I was filled with a deep sense of comfort knowing that this was the truth of the world.
That moment of realization was also very calm and filled with stillness.
Back then, I could not express this excitement with words.
However, such questions and discoveries about nature being connected to my works of expression today always fill my spirit with curiosity and kindness.
Sakuho ITO
[ 中川 聰 / Satoshi Nakagawa ]
Product Designer, Design Engineer,Consultant.
CEO of tripod design Co,.ltd https://tripoddesign.com/about-us/
開催によせて
昨年からtagboat art fairの開催がスタートし、今年で2回目の開催となります。 今回は会場規模を2倍に増やし、ポートシティ竹芝の4・5階の2フロア（3,060㎡）にて開催致します。アートフェア東京と同時期に開催し、日本の二大アートフェアの一つとして皆様にご覧いただきたく思います。
tagboat art fairの最大の特徴は、111人のアーティストの個展であるということです。アーティストが表現する世界観を存分に感じていただくために、通常のアートフェアのようなグループ展ではなく、アーティストそれぞれの個展という形式をとることにこだわりました。オンラインにて全作品の同時販売を予定しており、実際に会場にお越しいただけない方でもご購入いただけます。
————————————————————————
ごあいさつ
本日は、さいたま市 プラザノース「Domain of Art 28 伊藤咲穂展 Origin」にご来場いただき、誠にありがとうございます。
伊藤咲穂は、幼少期に育った自然環境での体験からくる静けさを原点に、独自の漉き方でつくる錆和紙(Sabiwashi)や、絵具、岩絵具、墨、などを用い平面、立体、インスタレーション作品等を国内外で発表しています。
